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| Medium: Wood-fired ceramic and natural glaze; Year: 2020; Dimensions: 13" x 17" x 17" Artist Statement & Bio: Clayton Amemiya’s first experience making pottery took place in Okinawa in the mid-1970s where he studied under the direction of Seisho Kuniyoshi (1943-1999) who was himself, a student of master ceramicist Hamada Shoji. In 1986, Amemiya and Kuniyoshi built the only existing anagama kiln in Hawai‘i, nestled in an ‘ohi‘a forest of Waiakea Uka in the uplands of Hilo on Hawai‘i Island. Each firing of this anagama kiln lasts four days, within which, the fire has to be constantly tended. Personalized by the hot flames which dance from one end of the tunnel to the other, this labor-intensive firing produces fly ash which covers areas of the finished pots in a serendipitous and irregularly patterned natural glaze. Using local woods from Hawai‘i Island such as kiawe, koa and lychee, this particular piece was fired only using ‘ohi‘a wood. The title of this work, Sango II, translates to “coral” in Japanese and features one of Amemiya’s distinct carving techniques which captures the undulating texture, form and movement of mesmeric undersea life, and is also reminiscent of patterns found on lava and sand. Amemiya’s work is heavily influenced by the Hawai‘i Island environment as well as medieval pottery of Japan, particularly the tsubo (jars) from areas such as Tokoname, Tamba, Shigaraki and Bizen. He has exhibited internationally and throughout Hawai‘i and his work belongs in numerous private and public collections. |
| Medium: Woodblock print; Year: 2010; Dimensions: 44" x 30" - Artwork sold with frame. Artist Statement & Bio: Margaret Barnaby studied sculpture and metalwork with Jack Prip at the Rhode Island School of Design, with a special study of chasing and repousse at Reed and Barton in Taunton, Massachusetts. After thirty years at the jeweler’s bench her attention turned to painting and woodblock printing. A long time interest in Japanese woodblock prints led Margaret Barnaby to studying the technique with Hiroki Morinoue at the Donkey Mill Art Center. The process satisfies her love of physical craft and offers the challenges of color, content and composition. When asked about her sources of inspiration she says, “I look outside.” The prints combine traditional Japanese elements with a contemporary Western approach. Each picture is printed on an etching press from four or more carved plywood plates. One plate may be inked with many colors. Because every print is inked and printed individually by hand, each one is a unique work. Most of Barnaby’s prints are in oil-based inks on Stonehenge paper. I Dream of ʻAlala, Koa is part of a series imagining the ʻalalā free and flourishing in its original habitats. At the time the prints were made the birds were all in captivity. Now a number of birds have been released and are learning to live independently. Barnaby has exhibited widely with her prizewinning paintings and prints in many collections, including the UPS and the Hawaiʻi State Foundation for Culture and the Arts. |
| Medium: Porcelain; Year: 2021; Dimensions: 11.5" x 10.5" x 10.5" Artist Statement & Bio: “At the core of any work of art is a reflection of ourselves, our human experience, this is only revealed after we fully invest ourselves in conversation with the work. These revelations take time and come in individual moments of understanding. When we live with a work of art we can continue this conversation indefinitely.” - Jake Boggs His interest in the ceramic arts, as well as education, propel Boggs forward in his practice. To Boggs, art is an entry point to our own ability of perception, a tool for provoking thought. The artist shares, “When designing my forms I look back across ceramic history and amalgamate aspects of work from disparate times and places to compose a hybridity of form. These uncanny vessels bare the accumulated information of human creativity, while the modified structures engage in contemporary visual discourses. I hope that when encountering the work one initially feels a kinship with the familiar forms and is then drawn in to further examine the complexities of the surface of each piece.” Jake Boggs is the Ceramics Studio Coordinator at the Donkey Mill Art Center. He holds a Masters of Fine Art degree from the University of Hawaiʻi at Mānoa, and a Bachelors of Fine Art degree from Eastern Kentucky University. His interest in ceramics has taken him from his home culture in Appalachia, to the Ecuadorian Amazon, Jingdezhen City in China which is known as “birthplace of porcelain,” South Korea, and Polynesia where he sources traditional and contemporary forms as creative influence. He exhibits his work widely across the United States, and keeps an active and evolving studio in Kailua-Kona, Hawaiʻi. |
| Medium: Oil on canvas; Year: 2019; Dimensions: 36" x 48" Artist Statement & Bio: Melissa Chimera (b. 1972) is a conservationist and Honolulu native of Lebanese and Filipino ancestry. She studied natural resources management at the University of Hawai‘i, a world epicenter for plant and animal extinction and worked for two decades as a conservation manager. She keeps a studio on Hawai‘i Island where she lives with her husband and son. The species of Hawaiian crow, once on the verge of extinction has been the subject of intensive captive breeding programs to boost their numbers to over 125 in captivity. Revered in Hawaiian culture and the last of its kind, two birds Manaʻolana and Manaiakalani were observed in May of 2019 tending to a next and eggs, a first ever in the wild and cause for hope that the ‘alalā may once more thrive in the Pu‘u Maka‘ala Hawaiian forest of south Hilo. Chimera has exhibited worldwide and is the recipient of the Catherine E. B. Cox Award and a finalist for the Lange-Taylor Prize. Her work resides in the collections of the Arab American National Museum, the Honolulu Museum of Art, and the Hawai'i State Foundation of Culture and the Arts. |
| Medium: Acrylic and spray on canvas; Year: 2018; Dimensions: 60" x 44" x 2" Artist Statement & Bio: “My work is a product of the world that surrounds me. It functions as a snapshot of my visual landscape. Inspired by attitudes, culture, music, fashion, cars, architecture, design, skateboarding and surfing to name a few, my work has always been about capturing time and the moment through creating images of things that hold an importance to me.” - Alex Couwenberg Born and raised in Southern California, painter Alex Couwenberg (b. 1967) creates images that are inspired by the elements indigenous to his surroundings. From Los Angeles, Couwenberg’s work references and suggests the aesthetic aligned with modernist philosophy. Directly influenced by fashion, culture, design, music, architecture and transportation, Couwenberg also pays homage to the historical styles of post-war art making associated with Los Angeles and Southern California throughout the 1950s, 60s, and 70s. Couwenberg’s paintings give a nod towards the Hard-edge abstractionists, the “Finish Fetish” movement and the Light and Space artists. His process, an additive and reductive series of moves and passes, creates multilayered environments that are deep and sensual. He harnesses these ideas into harmonious results, reflecting the visual landscape of his environment. A graduate from Art Center College of Design and the Claremont Graduate School, Couwenberg worked under the guidance of Karl Benjamin, one of the leading figures in the Southern California based school of Hard-edge geometric abstraction. Benjamin was instrumental in the development of his painting style, process, and philosophy. A Southern California native, Couwenberg naturally embraced this sensibility and applied it to his art making practices. By instilling the discipline and work ethic associated with these philosophies into his process, the paintings began to mature and develop a unique visual voice. The vocabulary references the dedication toward craft, process, and the progression of concepts and techniques. Couwenberg’s paintings have been shown in several solo and group exhibitions throughout the United States, Canada, Europe, and Asia. His work can be found in numerous public, private, corporate, and museum collections around the world. Recent museum acquisitions include the Long Beach Museum of Art, Lancaster Museum of Art and History, Laguna Art Museum, Crocker Museum of Art, and the Daum Museum in Missouri. In 2007, Couwenberg was awarded the prestigious Joan Mitchell Foundation Award for his achievements in painting. |
| Medium: Koa Wood and ipu gourd; Year: 2020; Dimensions: 10" x 18.5" x 10" Artist Statement & Bio: Ka Ipu Ka Honua was inspired by the auction’s theme “Art is a Priority!” expressing the concept that art, like water, is essential for life and growth. The title translates to “The Gourd is the World” a Hawaiian worldview in which the world, beneath our feet as well as in the atmosphere above, is contained within a giant gourd. The ipu, or gourd, is used traditionally and contemporarily as a container to hold and transport wai (fresh water). The ipu chosen in this piece is a shape known as an ʻolo, a variety which was used specifically for transporting water on long voyages. Mele (songs) and moʻolelo (stories) present the ipu as a symbolic representation of wai, depicting its significance in Hawaiian culture. In this piece, Kahoonei literally elevates the ipu with the wooden mount to represent the water and clouds reaching towards the heavens in reverence. The surface work on this piece represents elements found on land of the atmospheric realm. Kahoonei selects koa wood for the mount as it is the largest of our native species reaching highest into the clouds, playing an integral role in maintaining the watersheds throughout Hawaiʻi. Koa is also used to construct the largest of the Hawaiian canoes, which once voyaged frequently throughout Oceania. As these canoes once transported kūpuna (ancestors) and the most precious of resources, water, this piece represents that history and the many moʻolelo still shared today. Jesse Kekoa Kahoonei, a resident and lineal descendant of the chiefs, kahuna and commoners of Kona, currently works out of his home in the ʻahupuaʻa of Kealakehe. He is currently training as an apprentice wood carver and works primarily with hand chisels and steel adzes to create his work. Jesse's main inspirations are influenced by traditional works of the kūpuna of Hawaiʻi as well as the many place based moʻolelo, which tell the stories and histories of this ʻāina. Both carving and farming are important aspects of this artist's lifestyle. |
| Medium: Oil on canvas; Year: 2020; Dimensions: 30" x 24" Artist Statement & Bio: John Koga is a Hawaiʻi-based sculptor and painter whose work ranges from small paintings to large sculptures and installations. John works in various mediums in addition to being known for his thought provoking sculptural creations. He has also been working with 2D paintings in oil the past 10 years. Exhibiting internationally, Koga has played a significant role in promoting local contemporary art beyond Hawaiʻi. Koga shares that his aim is to express the feeling of Hawaiʻi without re-creating it photographically—challenging himself to capture the soul or essence of the natural world—the mountain, or the clouds on the mountain, or the feeling of a stone. Seeking to push the boundaries of a linear, one-track approach and intent, Koga strives to share the beauty of natural elements of the earth, ocean and sky. His work is featured in both museum and private collections and exhibited globally. Koga earned a Masters in Fine Arts in ceramics and sculpture from the University of Hawaiʻi and studied sculpture in Pietrasanta, Italy. Known for his abstract modernist aesthetic that conveys a sense of balance and space, he is inspired by artists Isamu Noguchi, Satoru Abe, and Tadashi Sato. Koga has received several awards from the Honolulu Museum of Art and the Hawaiʻi State Foundation on Culture and the Arts. |
| Medium: Photography; Year: 2020; Dimensions: 20" x 24" - Artwork sold with frame Artist Statement & Bio: What is the true function of a border wall and how does its presence affect those who experience it? Viewing ongoing and recent immigration policies enacted by the United States as atrocities, Wayne Levin could not sit idly by. Rocked by images of the border wall between Mexico and the U.S., Levin was compelled to visit and photograph the “Wall” in March of 2020, mere days before the border lockdown due to COVID-19. During his short visit, Levin experienced the resiliency and creative responses of Mexico’s people to this “humiliating” and “dehumanizing” wall. On the Mexican side of the border, Levin spent time with artists and community members living with the physical and psychological effects of a wall which was built to “protect” Americans from those south of the border. “I felt that I had to respond in some way. I had never believed that art could make an impact on the course of civilization. But now, with the future of humanity and the Earth being threatened in so many ways, I can see that art is one of the most powerful tools we have to alter this unsustainable trajectory. I see so many artists creating important work, and each piece gradually transforms things in a more positive direction. I saw that the American north side of the border was full of warning signs, more fences, barbed and razor wires, patrol vehicles, helicopters, and high-resolution surveillance cameras. Meanwhile, the southern side had music, people having a good time, great Mexican restaurants, and the wall was covered with art, murals, small paintings, and graffiti. It seemed to me that this art (self expression) on the Mexican side of the wall in Playas de Tijuana consolidated as one huge work of art about humanity, love, brother and sisterhood, and a touch of anger.” Through recent works like this, Levin examines the physical—and psychological presence of the border wall. It says that people on one side are superior, while the effect on those on the other side is dehumanizing. While many people support the removal of the entire border wall, Levin conversely recommends to leave some of the wall standing so every inch of it—on both sides— can be covered with art about humanity, and human migration. He shares, “With art and community, we can build that “big beautiful wall” (as the former president referred to it as) and we can turn the psychological meaning upside down, and truly make it a beautiful wall, a work of art.” Wayne Levin was born in Los Angeles in 1945. His father gave him a Brownie camera, and a little kit to develop his own film, for his 12th birthday. From then on he was hooked on photography. Levin graduated with a Bachelor of Fine Arts in photography from the San Francisco Art Institute in 1979, and the following year attended Pratt Institute in Brooklyn, New York. He studied with Arthur Freed and Phil Perkis, and received an MFA in 1982. Wayne’s photographs have been exhibited nationally and internationally at galleries, including Tokyo Designer Space, Japan; New York University, Tisch School of Art Gallery, New York City; Robert Koch Gallery, San Francisco; Louis Stern Fine Arts, Los Angeles; Rosenberg & Kaufman Fine Art, New York; Contemporary Art Center of Virginia, Virginia Beach; High Museum, Atlanta; and the VIP room of the American Pavilion at the World’s Fair, Japan. Major public collections include the Museum of Modern Art, New York; Museum of Photographic Art, San Diego; The Contemporary Museum, Honolulu; and the Hawaii State Foundation on Culture and the Arts. His work has been published in Aperture, American Photographer, Camera Arts, Day in the Life of Hawaii, Photo Japan, and most recently LensWork, among others. |
| Medium: Black Thai Unryu / Mulberry Paper, Sterling Silver, 18k gold, Diamonds, Lava* *Lava is not from this island; Year: 2021; Dimensions: 28" L Artist Statement & Bio: Intrigued by repetitive movement, rhythm, and patterns flowing through their hands, metalsmith Kristin Shiga and fiber artist Gerald Lucena collaborated to create Ka Lei O Ka Ala Hele employing a shared language interpreted through their own voices and materials. Together, their experience creates a dynamic work which explores harmonic dichotomies between masculine and feminine, light and dark, and heaven and earth. For Gerald, the lei is a perfect symbol of wayfinding as the process marks his journey from the anticipatory planning and early beginnings, to the steady pace leading to the final destination. “It is our hope that the neckpiece is a celebration of your own wayfinding spirit as you trace where you’ve been and chart new pathways for the future,” shared Shiga. Sharing a love and respect for the traditional lei niho palaoa, Lucena and Shiga used its classic form as a source of inspiration for this collaborative neckpiece. Hand-fabricated from recycled precious metals and sustainably-sourced diamonds, the pendant/clasp serves to ground the airiness of the paper lei while star lines criss-cross the Sterling behind the black lava disc, symbolizing the celestial guides used for wayfinding for thousands of years. Collaborative adventures are imbued with some mystery and trust. Lucena notes, “The intersection of our separate paths is both powerful and a gift. I love Kristin’s attention to detail and how our combined forces forged new meanings and narratives to the finished piece.” Shiga adds, “The decadence—and simplicity—of Gerald’s woven lei spoke to me on a very primal level. It felt like it was born out of my own dreams, and I was honored to be entrusted with it.” The versatile design allows the lei to be worn in three ways: with the silver element in the front as a pendant, in back as a clasp, or remove the ornament completely to wear the lei on its own. Gerald Lucena (b. 1967) is a Hawaiʻi Island artist living on his family’s coffee farm in Captain Cook. He earned his Bachelor of Fine Arts in drawing and painting from the University of Hawaiʻi at Manoa. He also attended the State University of New York at Stony Brook and the Skowhegan School of Painting and Sculpture in Maine. Lucena has exhibited in Hawaiʻi, California, and Massachusetts and has created public murals for the West Hawaiʻi Community Health Center in Kealakekua, Innovations Public Charter School in Kailua-Kona, and one of the collaborators of Aloha ‘Aina on the corner of Palani and Kuakini. He also designs sets and costumes for the Aloha Performing Arts Company at the historic Aloha Theatre in Kainaliu, Hawaiʻi. Gerald Lucena has taught drawing, painting, papermaking, and mixed media to all ages for over a decade and currently works as the Youth Education and Fiber Studio Coordinator at the Donkey Mill Art Center in Hōlualoa, Hawaiʻi. Kristin Mitsu Shiga is a hapa artist and educator born and raised in New York City. She followed her own long and meandering path to Hawaiʻi Island, where she feels she finally has found home. With her studio and jewelry gallery ‘Okina Jewelry located in Kealakekua, Kristin also teaches metalsmithing and book arts at Donkey Mill Art Center and other venues around the world. |
| Medium: Acyrlic and drywall compound; Year: 2004; Dimensions: 14" x 50" Artist Statement & Bio: Born and raised in Hōlualoa, Hiroki Morinoue received his Bachelor of Fine Arts degree from the California College of Arts and Crafts (now CCA) in 1973. For Morinoue, the landscape of Hawai’i—its light, rocks, skies, and water—has deeply influenced his work alongside the aesthetic of Japanese arts, crafts and landscaped gardens. In this work, Summer Pond, Morinoue captures the reflective nature of water through a minimal approach to the abstract while the opacity of the materials used (acrylic and drywall) give the piece an Impressionist feeling. Hiroki Morinoue has shown widely in the United States and Japan and his work is represented in the collections of the Honolulu Museum of Art, the Hawai’i State Foundation on Culture and the Arts, Neiman-Marcus in Honolulu and Chicago, Verizon Hawai’i, Achenbach Foundation for Graphic Arts of the Fine Arts Museums of San Francisco, and many private collections. One of the founders of the Hōlualoa Foundation for Arts & Culture, Hiroki Morinoue is an integral part of Hawai’i Island art culture and education. In 1996, he was designated a Living Treasure of Hawai’i by the Honpa Hongwanji Mission. |
| Medium: Mixed media painting (acrylic, sumi ink and paper); Year: 2021; Dimensions: 12" x 24" - Artwork sold with frame Artist Statement & Bio: Born in Kanagawa, Japan, Setsuko Morinoue’s interest in the arts began through photography in high school and transformed into a love for fiber art in Kusaki and Roketsu-zome, Japanese natural dye with wax resist. Moving to Hawai’i Island in 1970, she began to explore ceramics at the Kona Arts Center in Hōlualoa. Since then, her persistent interest in and appreciation for a wide range of art media led her to clay with paper, mixed media painting and printmaking. In this piece, Song of Spring, Morinoue uses brush strokes and Japanese characters to capture the balanced “rhythm of the breeze” and subtlety of nature. Through the spontaneous movement, she aims to conjure the feelings of renewal and hope through darkness subsequently uplifting the spirit of the viewer. During these challenging times, Morinoue believes artists need to “bring the light” and emerge from the darkness by creating meaningful work. Morinoue recognizes the power of the arts to unite people of all backgrounds, disciplines and beliefs—from politicians to scientists—the arts enable people to bring their highest positive energy to the table. |
| Medium: Jade, hibiscus and purple heart wood, shell, nylon, black coral, brass, leather; Year: 2019; Dimensions: 24" x 10" x 2" Artist Statement & Bio: Infusing themes and concepts from around the world into his work, opens Anthony Watson’s mind to a world within which he finds himself on a quest of perpetual learning and exploration. From jewelry to large sculptural pieces, Watson works with fiber, metals, stone, glass, wood and “anything difficult” which enable him to learn new materials and test their limits. He constantly challenges himself to explore techniques and materials from around the world and push his designs, finding inspiration everywhere. Watson believes that we need to use the arts and culture to comment on modern life, sharing, “Our customs have a great wealth of knowledge that we should not dismiss, but rather, pursue and learn from.” Born in the United States and raised in Palau, Watson attributes much of his work’s inspiration to an innate propensity that was cultivated with his exposure to the diverse cultures of Micronesia. This particular adze incorporates Palauan, Chuukese, Melanesian and Hawaiian elements and earned Watson the Merit Award in Mixed Media Arts in the 2019 Hawaiʻi Craftsman Statewide Exhibition. Anthony Watson earned his Bachelor of Fine Arts from the University of Hawaiʻi at Mānoa and his work resides in collections throughout Hawai’i and the Pacific. |
| Medium: Lau harvested from the Donkey Mill; Year: 2020; Dimensions: Both hats are 22.5" Artist Statement & Bio: Makiko Yamaguchi has been weaving for over seventeen years and attributes her weaving accomplishments to her many beloved kumu who, according to Yamaguchi, taught her not only how to weave, but how to be humble, have a sense of humor, and shared mo’olelo about Kona. Her kumu also instilled in her the understanding that weaving can bring happiness and joy into the world. Yamaguchi is honored to be featured in the live auction as two of her kumu were longtime supporters of the Donkey Mill and always donated to the fundraiser. Because of the unexpected challenges 2020 presented, Yamaguchi decided to create a pair of pāpale this year with lau (leaves) gathered from Kumu Ed Kaneko’s favorite hala tree growing at the Donkey Mill. Presenting these two beautifully crafted hats, it is Yamaguchi’s intention to remind people that we are all connected; she hopes that the new owner of the hats—whether it be brother/sister, friends, or a couple—will enjoy wearing them together. |
| Medium: Oil on board; Year: 2021; Dimensions: 12" x 12" |
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Marjorie DiMaggio
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| Medium: Lauhala; Year: 2020; Dimensions: 22 1/2" |
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Nahaku Kalei
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| Medium: Woodcut; Year: 2006; Dimensions: 15" x 19.25" - Artwork sold with frame |
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Robyn Grad
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| Medium: Stoneware, oxidation cone 10 firing; Year: 2019; Dimensions: 11" x 7.5" x 4.5" |
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Olga Panasenco
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| Medium: Etching; Year: 2020; Dimensions: 13 3/4" x 11" - Artwork sold with frame |
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Eric Edwards
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| Medium: Etching; Year: 2020; Dimensions: 14 1/2" x 11" - Artwork sold with frame |
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| Medium: Water based paints on wood; Year: 2021; Dimensions: 12" x 12" |
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| Medium: Water based paints on wood; Year: 2021; Dimensions: 12" x 12" |
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marty meth
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| Medium: Water based paints on wood; Year: 2021; Dimensions: 12" x 12" |
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Gina Willman
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| Medium: Water based paints on wood; Year: 2021; Dimensions: 12" x 12" |
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Bailey Ferguson
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| Medium: Water based paints on wood; Year: 2021; Dimensions: 12" x 12" |
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| Medium: Digital Print on Archival Paper; Year: 2019; Dimensions: 16" x 20"- Artwork sold with frame |
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Erin Flory
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| Medium: Etching, aquatint, three plates; Year: 2019; Dimensions: 26" x 18.5" - Artwork sold with frame |
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| Medium: Collage; Year: 2020; Dimensions: 12" x 12" |
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| Medium: Collage; Year: 2020; Dimensions: 12" x 12" |
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Setsuko Morinoue
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| Medium: Collage; Year: 2020; Dimensions: 12" x 12" |
$123Highest Bid
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Bobby Howard
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| Medium: Collage; Year: 2020; Dimensions: 12" x 12" |
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marty meth
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| Medium: Collage; Year: 2020; Dimensions: 12" x 12" |
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| Medium: Collage; Year: 2020; Dimensions: 12" x 12" |
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Setsuko Morinoue
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| Medium: (Triptych) Watercolor on wood; Year: 2021 Dimensions: 12" x 36" |
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Carolynn Croft
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| Medium: Watercolor paper, archival adhesive, archival pigment; Year: 2021; Dimensions: 12" x 12" |
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| Medium: Multimedia: ceramics, ocean debris, acrylic, epoxy; Year: 2020; Dimensions: 12" x 12" x 1" |
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Claudia Cumes
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| Medium: Multimedia: ceramics, nails, acrylic, collage, fine liners; Year: 2020; Dimensions: 12" x 12" x 1" |
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| Medium: Multimedia:ceramics, collage, acrylic, fine liners; Year: 2020; Dimensions: 12" x 12" x 1" |
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Anonymous
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| Medium: Pyrographic illustration on wood; Year: 2021; Dimensions: 12" x 12" |
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Betsy Queen
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| Medium: Mixed media collage; Year: 2020; Dimensions: 12" x 12" |
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Kasey Lindley
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| Medium: Mixed media collage; Year: 2020; Dimensions: 12" x 12" |
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Carolynn Croft
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| Medium: Mixed monoprint; Year: 2020; Dimensions: 12" x 12" |
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| Medium: Moku Hanga on kitawata paper mounted on wood; Year: 2021; Dimensions: 12" x 12" |
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Randy Kaplan
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| Medium: Moku Hanga on kitawata paper mounted on wood; Year: 2021; Dimensions: 12" x 12" |
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Christiana Bennett
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| Medium: Encaustic; Year: 2021; Dimensions: 12" x 12" |
$220Highest Bid
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Helen Santibanez
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| Medium: Encaustic; Year: 2021; Dimensions: 12" x 12" |
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Setsuko Morinoue
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| Medium: Gouache acrylic on paper collage; Year: 2020; Dimensions: 12" x 12" |
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Heide Cumes
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| Medium: Clay; Year: 2021; Dimensions: 10" x 39" x 11" |
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marty meth
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| Medium: Archival Print; Year: 2018; Dimensions: Frame Size - 22" x 30" x 1.5"; Print Size 13" x 21"- Artwork sold with frame |
$345Highest Bid
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Geoff Grauer
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| Medium: Acrylic on wood; Year: 2020; Dimensions: 12" x 12" |
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Jon Carder
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| Medium: Acrylic, aerosol, and shellac on wood; Year: 2020; Dimensions: 12" x 12" |
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| Medium: Acrylic, aerosol, and shellac on wood; Year: 2020; Dimensions: 12" x 12" |
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| Medium: Acrylic, aerosol, and shellac on wood; Year: 2020; Dimensions: 12" x 12" |
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| Medium: Acrylic, aerosol, and shellac on wood; Year: 2020; Dimensions: 12" x 12" |
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| Medium: Acrylic, aerosol, and shellac on wood; Year: 2020; Dimensions: 12" x 12" |
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Karen Hochman Brown
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| Medium: Acrylic and aerosol on wood; Year: 2020; Dimensions: 12" x 12" |
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|
|
$500Est Val
$300Min Bid
| Medium: Acrylic and aerosol on wood; Year: 2020; Dimensions: 12" x 12" |
--Highest Bid
|
|
--Bids
|
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$500Est Val
$300Min Bid
| Medium: Acrylic and aerosol on wood; Year: 2020; Dimensions: 12" x 12" |
--Highest Bid
|
|
--Bids
|
|
$500Est Val
$300Min Bid
| Medium: Mixed media collage; Year: 2021; Dimensions: 12" x 12" |
$70Highest Bid
|
|
8Bids
|
Anonymous
Highest Bidder
|
| Medium: Acrylic, spraypaint, and pastel on wood; Year: 2021; Dimensions: 12" x 12" |
$120Highest Bid
|
|
4Bids
|
Robin Coonen
Highest Bidder
|
| Medium: Acrylic, spraypaint, and pastel on wood; Year: 2021; Dimensions: 12" x 12" |
$180Highest Bid
|
|
10Bids
|
Robin Coonen
Highest Bidder
|
| Medium: Assemblage; Year: 2021; Dimensions: 12" x 12" |
$480Highest Bid
|
|
19Bids
|
Linda Boranian
Highest Bidder
|
| Medium: Assemblage; Year: 2021; Dimensions: 12" x 12" |
$210Highest Bid
|
|
1Bids
|
Janne Fujimoto
Highest Bidder
|
| Medium: Sumi ink on paper; Year: 2021; Dimensions: 12" x 12" - Artwork sold with frame |
$365Highest Bid
|
|
51Bids
|
Geoff Grauer
Highest Bidder
|
| Medium: Sumi ink on paper; Year: 2021; Dimensions: 12" x 12" - Artwork sold with frame |
$103Highest Bid
|
|
4Bids
|
Bobby Howard
Highest Bidder
|
| Medium: Stoneware with underglazes; Year: 2020; Dimensions: 7" x 3.5" x 3.5" |
$450Highest Bid
|
|
13Bids
|
Amber Aguirre
Highest Bidder
|
| Medium: Lauhala; Year: 2020; Dimensions: 22 1/2" |
$340Highest Bid
|
|
16Bids
|
Rebecca Villegas
Highest Bidder
|
| Medium: AMixed media; Year: 2021; Dimensions: 12" x 12" x 1" |
--Highest Bid
|
|
--Bids
|
|
$207Est Val
$125Min Bid
| Medium: Handmade yeddo hawthorne ink on paper; Year: 2020; Dimensions: 11" x 30" - Artwork sold with frame |
--Highest Bid
|
|
--Bids
|
|
$2,500Est Val
$1,500Min Bid
| Medium: Acrylic; Year: 2020; Dimensions: 12" x 12" |
$405Highest Bid
|
|
14Bids
|
Joshua Boranian
Highest Bidder
|
| Medium: Acrylic; Year: 2020; Dimensions: 12" x 12" |
$180Highest Bid
|
|
1Bids
|
Joshua Boranian
Highest Bidder
|
| Medium: Acrylic; Year: 2020; Dimensions: 12" x 12" |
$315Highest Bid
|
|
9Bids
|
Linda Boranian
Highest Bidder
|
| Medium: Mixed media; Year: 2020; Dimensions: 12" x 12" |
$150Highest Bid
|
|
1Bids
|
Anthony Barnett
Highest Bidder
|
| Medium: Mixed media; Year: 2020; Dimensions: 12" x 12" |
$180Highest Bid
|
|
4Bids
|
Jenni Lund
Highest Bidder
|
| Medium: Relief print, oil based ink; Year: 2020; Dimensions: 12" x 12" |
$290Highest Bid
|
|
17Bids
|
Meredith Yasui
Highest Bidder
|
| Medium: Relief print, oil based ink; Year: 2020; Dimensions: 12" x 12" |
$220Highest Bid
|
|
7Bids
|
Ann Sun
Highest Bidder
|
| Medium: Serigraph; Year: TBD; Dimensions: 20" x 26" - Artwork sold with frame |
$345Highest Bid
|
|
4Bids
|
Anonymous
Highest Bidder
|
| Medium: Mixed Media; Year: 2020; Dimensions: 72" x 19" x 2.5" |
$420Highest Bid
|
|
5Bids
|
Newton Chu
Highest Bidder
|
| Medium: Monkeypod and Porcelain; Year: 2021; Dimensions: 6" x 21" x 12" |
$215Highest Bid
|
|
3Bids
|
Helen Santibanez
Highest Bidder
|
| Medium: Acrylic, Ink; Year: 2021; Dimensions: 12" x 12" |
$150Highest Bid
|
|
1Bids
|
Cherry Bucholz
Highest Bidder
|
| Medium: Photography; Year: 2020; Dimensions: 20" x 24" Framed |
$510Highest Bid
|
|
4Bids
|
Claudia Cumes
Highest Bidder
|
| Medium: Photography; Year: 2020; Dimensions: 20" x 24" Framed - Artwork sold with frame |
$615Highest Bid
|
|
7Bids
|
Heide Cumes
Highest Bidder
|
| Medium: Resist and acrylic on wood; Year: 2020; Dimensions: 12" x 12" |
$195Highest Bid
|
|
1Bids
|
Scott Dodd
Highest Bidder
|
| Medium: Resist and acrylic on wood; Year: 2020; Dimensions: 12" x 12" |
$180Highest Bid
|
|
1Bids
|
Lenore LaTour
Highest Bidder
|
| Medium: Acylic and spackle on wood; Year: 2021; Dimensions: 12" x 12" |
$180Highest Bid
|
|
1Bids
|
John Holliday
Highest Bidder
|
| Medium: Acylic and spackle on wood; Year: 2021; Dimensions: 12" x 12" |
$180Highest Bid
|
|
1Bids
|
John Holliday
Highest Bidder
|
| Artist: Kasey Lindley Medium: Watercolor on wood; Year: 2021; Dimensions: 12" x 12" |
$200Highest Bid
|
|
9Bids
|
Ashley Raymond
Highest Bidder
|
| Medium: Watercolor on wood; Year: 2021; Dimensions: 12" x 12" |
$190Highest Bid
|
|
4Bids
|
Brice Okubo
Highest Bidder
|
| Medium: Acrylic, collage on paper mounted masonite; Year: 2020; Dimensions: 12" x 12" |
--Highest Bid
|
|
--Bids
|
|
$500Est Val
$300Min Bid
| Medium: Acrylic, collage on paper mounted masonite; Year: 2020; Dimensions: 12" x 12" |
--Highest Bid
|
|
--Bids
|
|
$500Est Val
$300Min Bid
| Medium: Acrylic, collage on paper mounted masonite; Year: 2020; Dimensions: 12" x 12" |
--Highest Bid
|
|
--Bids
|
|
$500Est Val
$300Min Bid
| Medium: Mixed media - woodblock collage; Year: 2021; Dimensions: 12" x 12" |
--Highest Bid
|
|
--Bids
|
|
$250Est Val
$150Min Bid
| Medium: Monoprint; Year: 2020; Dimensions: 12" x 12" |
$85Highest Bid
|
|
2Bids
|
Heide Cumes
Highest Bidder
|
| Medium: Monoprint/Cutout; Year: 2020; Dimensions: 12" x 12" |
--Highest Bid
|
|
--Bids
|
|
$125Est Val
$75Min Bid
| Medium: Collage; Year: 2020; Dimensions: 12" x 12" |
--Highest Bid
|
|
--Bids
|
|
$125Est Val
$75Min Bid
| Medium: Paper - Installation; Year: 2010; Dimensions: Dimensions variable |
--Highest Bid
|
|
--Bids
|
|
$2,000Est Val
$1,200Min Bid
| Medium: Acrylic on panel; Year: 2020; Dimensions: 8" x 10" |
$80Highest Bid
|
|
6Bids
|
Meredith Yasui
Highest Bidder
|
| Medium: Mixed media painting (acrylic, sumi ink and paper); Year: 2021; Dimensions: 12" x 24" |
$960Highest Bid
|
|
7Bids
|
James Tupper
Highest Bidder
|
| Medium: Acrylic; Year: 2021; Dimensions: 12" x 24" |
$575Highest Bid
|
|
7Bids
|
Ellen Seale
Highest Bidder
|
| Medium: Gesso, prismacolor on wood panel; Year: 2021; Dimensions: 12" x 12" |
--Highest Bid
|
|
--Bids
|
|
| Medium: Acrylic; Year: 2021; Dimensions: 12" x 12" |
$310Highest Bid
|
|
3Bids
|
Carolynn Croft
Highest Bidder
|
| Medium: Acrylic; Year: 2021; Dimensions: 12" x 12" |
--Highest Bid
|
|
--Bids
|
|
$450Est Val
$270Min Bid
| Medium: Bird Feathers (Erckel); Year: 2020; Dimensions: 26" x 1.25" Does not include hat. Hatband sold invidually. |
$300Highest Bid
|
|
3Bids
|
Gerald Lucena
Highest Bidder
|
| Medium: Oil and earth pigments on wood (hand mulled oil paint); Year: 2020; Dimensions: 12" x 12" |
$75Highest Bid
|
|
1Bids
|
Christine Olivera
Highest Bidder
|
| Medium: Pochoir; Year: 2019; Dimensions: 12.5" x 16.5" - Artwork sold with frame |
$165Highest Bid
|
|
1Bids
|
Christine Olivera
Highest Bidder
|
| Medium: Mixed media on wood; Year: 2020; Dimensions: 12" x 12" |
--Highest Bid
|
|
--Bids
|
|
$300Est Val
$180Min Bid
| Medium: Graphite, mixed media on wood; Year: 2020; Dimensions: 12" x 12" |
$180Highest Bid
|
|
1Bids
|
Marjorie DiMaggio
Highest Bidder
|
| Medium: Wool, sand, string, beads, thread and acrylic on wood; Year: 2021; Dimensions: 12" x 12" |
--Highest Bid
|
|
--Bids
|
|
$400Est Val
$240Min Bid
| Medium: Wool, sand, string, beads, thread and acrylic on wood; Year: 2021; Dimensions: 12" x 12" |
--Highest Bid
|
|
--Bids
|
|
$400Est Val
$240Min Bid
| Medium: Gouache, layered paper, and hand-cut inkjet prints on wood; Year: 2021; Dimensions: 12" x 12" |
$310Highest Bid
|
|
14Bids
|
Anonymous
Highest Bidder
|
| Medium: Gouache, layered paper, and hand-cut inkjet prints on wood; Year: 2021; Dimensions: 12" x 12" |
$330Highest Bid
|
|
20Bids
|
Anonymous
Highest Bidder
|
| Medium: Watercolor and colored pencil on wood; Year: 2021; Dimensions: 12" x 12" - Artwork sold with frame |
--Highest Bid
|
|
--Bids
|
|
$650Est Val
$390Min Bid
| Medium: Watercolor and colored pencil on wood; Year: 2021; Dimensions: 12" x 12" - Artwork sold with frame |
$390Highest Bid
|
|
1Bids
|
Maja Grajski
Highest Bidder
|
| Medium: Encaustic mixed media; Year: 2021; Dimensions: 12" x 12" |
--Highest Bid
|
|
--Bids
|
|
$500Est Val
$300Min Bid
| Medium: Acrylic; Year: 2021; Dimensions: 12" x 12" |
$360Highest Bid
|
|
20Bids
|
Scott Dodd
Highest Bidder
|
| Medium: Ink on kitakata paper; Year: 2017/2020; Dimensions: 20" x 15" - Artwork sold with frame |
$240Highest Bid
|
|
1Bids
|
Barbara Pfaffenberger
Highest Bidder
|
| Medium: Kiln cast lead crystal; Year: 2020; Dimensions:10" x 6.5" x 4.75" |
$460Highest Bid
|
|
12Bids
|
Meredith Yasui
Highest Bidder
|
| Medium: High density concrete, cardboard, wax, muriatic acid; Year: 2020; Dimensions: 6" x 6" x 6" |
--Highest Bid
|
|
--Bids
|
|
$1,800Est Val
$1,080Min Bid
| Medium: White stone, paperclay, porcelain; Year: 2020; Dimensions: 3.5" x 5.5" x 3" |
$360Highest Bid
|
|
1Bids
|
James Tupper
Highest Bidder
|
| Medium: Paint, collage; Year: 2020; Dimensions: 12" x 12" |
$160Highest Bid
|
|
5Bids
|
marty meth
Highest Bidder
|
| Medium: Paint, collage; Year: 2020; Dimensions: 12" x 12" |
$120Highest Bid
|
|
1Bids
|
Roya Elison
Highest Bidder
|
| Medium: Paint, collage; Year: 2020; Dimensions: 12" x 12" |
$120Highest Bid
|
|
1Bids
|
Robin Coonen
Highest Bidder
|
| Medium: Oil; Year: 2020; Dimensions: 12" x 12" |
$423Highest Bid
|
|
8Bids
|
marty meth
Highest Bidder
|
| Medium: Spray paint on wood; Year: 2021; Dimensions: 12" x 12" |
$120Highest Bid
|
|
1Bids
|
Jasmin Kiernan
Highest Bidder
|
| Medium: Spray paint on wood; Year: 2021; Dimensions: 12" x 12" |
$120Highest Bid
|
|
1Bids
|
Micha Croft
Highest Bidder
|
| Medium: Gouache and colored pencil on wood panel; Year: 2021; Dimensions: 12" x 12" |
--Highest Bid
|
|
--Bids
|
|
$800Est Val
$480Min Bid
| Medium: Intaglio print; Year: Unknown; Dimensions: 17.5" x 15.5" - Artwork sold with frame |
$180Highest Bid
|
|
2Bids
|
Kirby Woo-Collins
Highest Bidder
|
| Medium: Mango wood, pearl oyster shell, Oahu basalt; Year: 2020; Dimensions: 22" x 10" x 2" |
$1,200Highest Bid
|
|
1Bids
|
Anonymous
Highest Bidder
|
| Medium: Mixed media; Year: 2020; Dimensions: 12" x 12" |
$300Highest Bid
|
|
1Bids
|
marty meth
Highest Bidder
|
| Medium: Woodblock print; Year: 2005; Dimensions: 17.5" x 14.25" - Artwork sold with frame |
$570Highest Bid
|
|
16Bids
|
Kate Bell
Highest Bidder
|
| Medium: India ink and acrylic on wood; Year: 2021; Dimensions: 12" x 12" |
$120Highest Bid
|
|
1Bids
|
Katherine Woods
Highest Bidder
|
| Medium: Ocean water (equator + kohanaiki), acrylic pigments, guache and sumi ink on wood; Year: 2021; Dimensions: 12" x 12" |
$315Highest Bid
|
|
12Bids
|
marty meth
Highest Bidder
|
| Medium: Acrylic; Year: 2020; Dimensions: 12" x 12" |
$290Highest Bid
|
|
2Bids
|
marty meth
Highest Bidder
|
| Medium: Pen, collage, watercolor, woodburning on wood; Year: 2021; Dimensions: 12" x 12" |
$215Highest Bid
|
|
2Bids
|
Jon Carder
Highest Bidder
|
| Medium: Mixed media; Year: 2021; Dimensions: 12" x 12" |
$180Highest Bid
|
|
1Bids
|
Andrea Opalenik
Highest Bidder
|
| Medium: Oil, cold wax; Year: 2020; Dimensions: 12" x 12" |
$330Highest Bid
|
|
1Bids
|
Margaret Shields
Highest Bidder
|
| Medium: Oil, cold wax; Year: 2020; Dimensions: 12" x 12" |
$350Highest Bid
|
|
1Bids
|
marty meth
Highest Bidder
|
| Medium: Fused glass; Year: 2020; Dimensions: 12" x 12" |
$330Highest Bid
|
|
12Bids
|
marty meth
Highest Bidder
|
| Medium: Intaglio etching; Year: 2021; Dimensions: 15" x 18.5" - Artwork sold with frame |
$1,850Highest Bid
|
|
28Bids
|
Kate Bell
Highest Bidder
|
| Medium: Monoprint; Year: 2021; Dimensions: 12" x 12" |
$120Highest Bid
|
|
1Bids
|
Robert Corsair
Highest Bidder
|
| Medium: Intaglio etching; Year: 2021; Dimensions: 15" x 18.5" - Artwork sold with frame |
--Highest Bid
|
|
--Bids
|
|
| Medium: Photography; Year: 2020; Dimensions: 20" x 24" Framed |
--Highest Bid
|
|
--Bids
|
|